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Rupert Neve Designs Portico II Channel (P2C)

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The Rupert Neve Designs Portico II is a 2U channel module for recording and mixing engineers. The Portico II produce...  Alle vareoplysninger

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Rupert Neve Portico II - Channelstrip

The Rupert Neve Designs Portico II is a 2U channel module for recording and mixing engineers. The Portico II produces accurate and sweet sounding audio representations, while providing the ability to shape and fine tune tracks.

The Portico II from Rupert Neve Designs features Variable Silk / Silk+ Texture control, a fully tunable “de-esser”, multiple VCA filtering and detection options, a transient-optimized swept HPF and parallel compression blending.

Standard features include a fully- featured mic preamplifier, 4-band EQ, compressor-limiter, “texture”control and level metering.

The main features of the Portico II include:

  • Texture: Continuously variable control for Silk and Silk+ modes allows the engineer to fine tune the harmonic ratio and tonality of the channel.
  • Post Comp: Moves the EQ after the Compressor
  • De-Esser: Tunable with the HMF EQ bandwidth reduction, the multi-variable De-Esser can be used to soften harsh sibilance in voices and instruments
  • Blend: A parallel matrix providing continuously variable control to mix compressed and uncompressed signals
  • FF/FB: Changes the VCA Detection from a forward feed design (fast, more accurate attack & release) to a feed back design (smoother, more musical response)
  • Super Fast: Overrides the attack setting, using a combination of peak and RMS detection set below 1ms
  • Side Chain Send/Return: External compressor side chain send and return on 2 x TRS jacks. The send is always active and normalled to the return (NOTE: If the send and return are connected to a patchbay, the send should be normalled or connected to the return by default, as the compressor will not trigger if the return has no signal)
  • Meters: Dual 16 point peak meters display compressor (not de-esser) gain reduction and output levels
  • High Pass Filter: Continuously variable from 20-250Hz
  • HPF to Side Chain: Uses the HPF in the Compressor Side Chain
  • Gain: Provides 66dB in 6dB steps
  • Trim: Continuous +/- 6dB level contro
  • Phase Inverts: Reverses the polarity of the signal
  • Phantom Power: Selectable 48V for powering microphones
  • DI: Discrete FET input for Hi-Z instruments
  • Line Input Selectable +4 balanced input
  • LF EQ: +/-15dB adjustment at 35, 60, 100, and 220 Hz, independent LF engage, selectable classic bell or accelerated shelf curves
  • LMF EQ: +/-15dB adjustment from 70 to 1.4KHz, with a continuous "Q" from .7 to 5., engaged with the MF switch.
  • HMF EQ: +/-15dB adjustment from 700Hz to 14KHz, with a continuous "Q" from .7 to 5., engaged with the MF switch.
  • HF EQ: +/-15dB adjustment at 4.7, 6.8, 12, and 25kHz, independent HF engage, selectable classic bell or accelerated shelf curves
  • All EQ In: Enables all EQ Bands (Individual bands must still be engaged)
  • Comp In: Engages Compressor section
  • Frequency Response: Main Output, no load, –3 dB @ 2 Hz –3 dB @ 160 kHz
  • Noise: Measured at Main Output, unweighted, 22Hz-22kHz, Terminated 150 Ohms. With gain at unity better than –92 dBu With gain at 66 dB better than –56 dBu Equivalent Input Noise better than –123 dBu
  • Gain: Unity to +66dB in 6 dB steps, Trim continuously adjustable from –6dB to +6dB Line Input: Trim continuously adjustable from –6dB to +6dB Maximum Output Level: Maximum output from 20 Hz to 40 kHz is +25 dBu.
  • Phantom Power: 48 Volts DC +/- 1%
  • Total Harmonic Distortion and Noise: @ 1kHz, +20 dBu output: Better than 0.002% As above, Silk Engaged: Better than 0.2% Second Harmonic @ 20Hz, +20 dBu out Better than 0.004% @ 20Hz, +20 dBu out Better than 0.020% IM Distortion: Better than 0.002%
  • Slew rate Better than 4 V/uS High Pass Filter: Frequency: Continuously Variable from 20 Hz to 250Hz Slope: 12 dB/Octave Bessel