The Harrison Comp 500 Series delivers exactly what you know from classic Harrison consoles: musical dynamics processing that doesn't get in the way, but carries the sound. This approach has shaped countless productions for decades and it is precisely this behavior that is now packed into a compact 500 Series module.
In everyday life, this means: you place it on a track, adjust it and suddenly the signal simply sits better in the mix. Vocals become stable, guitars are more defined, drums get more punch without sounding artificial.
The strength of the Harrison Comp lies in its bandwidth. With a low ratio and fast
If you turn the ratio up and let the
Technically, the comp is based on a classic feed-forward design with THAT 2180 VCA. This ensures clean, precise control and at the same time the familiar analog character.
The attack is program-dependent. This means that the compressor automatically reacts to the input signal in a meaningful way without you having to constantly readjust it. The release is infinitely variable and gives you control over the timing of the compression.
Together with Threshold, Ratio and Makeup Gain, you have everything you need to shape or subtly smooth dynamics.
The Harrison Comp is deliberately kept uncomplicated. No overloaded circus of features, but a clearly structured signal flow. Set
The gain reduction meter shows you directly what is happening, while you can quickly switch between processed and unprocessed signal via the IN switch. So you can immediately hear whether you have really improved something.
Thanks to the API 500 format, the module fits into all standard lunchboxes and can be integrated into existing setups in a versatile manner.
Harrison Comp