With the Kronos 3, Korg is launching the third



In addition to numerous PCM sounds and

The sound engine of the Kronos 3 contains nine different sound generation methods, ranging from high-quality pianos with grandiose Berlin Grand and Italian Grand pianos, to wicked synthesizer sounds from Korg classics such as eg. MS-20 and PolySix to selected sounds for orchestral music or the tried and tested sound requirements for rock and pop. The instrument is equipped with an additional 314 MB of PCM sounds ex works, and this selection can be expanded by the user to up to 3GB. With 21GB of waveform data, not only is an enormous pool of sounds provided, but their high quality is also guaranteed by uncompressed audio data. A total of 2560 sounds and 104 drum kits are pre-installed. The maximum polyphony of the engines varies and also depends on which other engines are used on the MIDI tracks.
The effects can certainly be counted as part of the sound generation; the Kronos 3 has 16 effect processors that can be used to add the finishing touches to your sounds. Each track also has its own 3-band EQ. The twelve insert effects can be used with one sound, a combination or on several sequencer tracks at the same time. Further final effects are available to enhance the sum. The effects can even be applied to the stereo audio input, making Kronos 3 an equally impressive effects unit.
With the Open Sampling System, Korg has implemented an uncomplicated way to record samples from external audio sources and process them in the device, even resampling is possible. The maximum sampling time depends on the amount of memory remaining in the PCM sounds memory, i.e. a maximum of 80 minutes in


A comprehensively equipped synthesizer workstation must of course include a sequencer. There are 16 note and audio tracks each to support the musician in all his actions and to record ideas. Many workstations rely on styles, but not the Kronos 3, which uses KARMA from the 2001 synthesizer of the same name. This algorithmic music technology generates complex phrases, drum grooves and sophisticated accompaniment patterns ad hoc. Based on the notes and chords played (and the settings made), KARMA produces amazing and, above all, musical results. Some may remember the Drum Tracks function from the M3 Workstation from 2007.
The rear of the Kronos 3 is pleasingly versatile. In addition to the keyboard, there are also foot pedal connections for expression,
