
With the Spectravox, Moog expands its compact, semi-modular instruments with a vocoder/filter bank.
The signal to be processed is connected to the two program inputs (3.5mm mono jack / XLR combo socket). In most cases, this is a microphone to distort the voice, but a line signal is also possible. The signal to be analyzed passes through the ten frequency bands (lowpass, 8x bandpass, highpass), which are equipped with their own envelope followers and VCAs; in addition, the intensity of each frequency band and the resonance of all bands can be adjusted. It gets even more exciting if you swap the envelope followers and VCAs, be sure to try it out! Part of the synthesis process is the carrier oscillator, which can be switched between sawtooth and square with adjustable pulse width and has a noise generator that can be mixed in. Spectral Shift can be used to animate the bands; this can be done manually, via control voltage and with the internal shift LFO. Here, certain bands are emphasized or attenuated on the fly. The last element in the signal path is a VCA with decay envelope. If required, the VCA can be bypassed using a toggle switch.
The Spectravox can also be used as a stand-alone synthesizer. Thanks to its architecture, it can produce sounds that only very few synths on the market can produce in this form. Lively drones, multi-resonant sounds, growling basses in the medium frequency range and psychedelic textures can be generated by the Spectravox on its own. Do you know the talking drums from Members or Mayday Sonic Empire or the Transformers intro from Afrika Bambaataa's Planet Rock? This vocoder can do that and more! As a vocal effect, analog
