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Neumann KK 205 bk / Sennheiser System Kapselkopf für SKM 2000

Item: PAH0012164-000
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Neumann KK 205 bk / Sennheiser System Kapselkopf für SKM 2000 Product Image
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With the Neumann KK 205, you get studio vocal sound on stage - combined with the freedom of a Sennheiser wireless system  All product info

€ 830.00
incl. VAT, incl. Shipping Costs
or extremely cheap from € 14.77 monthly financing
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free with orders starting at 29 € (within Germany)

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Neumann KK 205 bk

Microphone head for Sennheiser wireless systems

  • Supercardioid polar pattern with high feedback resistance
  • Neumann condenser capsule with studio sound quality
  • For Sennheiser SKM 2000/6000/9000 as well as EW G4 300/500 and EW-D wireless systems

With the Neumann KK 205, you get real studio vocal sound on stage - combined with the freedom of a Sennheiser wireless system. The capsule head relies on a precision-manufactured Neumann true condenser capsule and delivers an open, detailed output with fast impulse response and airy highs. Perfect for demanding vocals and clear speech - even under difficult live conditions.

Studio quality - built for live performance

The sound of the KK 205 is based on Neumann's proven KMS series and disproves the preconception that condenser technology is too sensitive on stage: the capsule head is extremely level-resistant (up to 150 dB SPL) and remains clean and controlled even at high volumes. The hardened steel basket provides reliable protection, while an integrated highly effective pop filter reduces plosives and at the same time keeps moisture away from the capsule - without unpleasantly emphasizing sibilants.

Supercardioid for maximum control

The uniform super cardioid polar pattern ensures high feedback resistance and strong attenuation of rear sound (typically from the monitor range). At the same time, the sound remains amazingly stable off-axis - ideal when singers are moving around the stage or the microphone is not always "perfectly" positioned.

Optimized for very short microphone distances

The KK 205 is specially tuned for typical live use with a short lip distance: A fixed bass cut compensates for the proximity effect and keeps vocals clear, defined and intelligible even when the microphone is used directly - often with fewer EQ corrections, which further improves the feedback reserves.