Tascam Sonicview 24

• The Tascam VIEW (Visual Interactive Ergonomic Workflow) interface enables intuitive operation with three different view modes
• Multiple simultaneous views via three 7-inch color touchscreens
• 44 input channels (40 mono, 2 stereo)
• 22 flexible output busses plus stereo sum with 31-band graphic EQ
• FPGA-based mixing engine with 54-bit floating-point processing and 96 kHz sampling rate
• Ultra-low latency: 2 × Fs (20.8 μs) in mixing engine, 0.51 ms analog-to-analog
• 32-bit, 96 kHz A/D and D/A conversion
• Tascam HDIA (High-Definition Instrumentation Architecture) microphone preamplifier
• Built-in Dante interface (64 inputs/outputs); supports redundancy, AES67, DDM and SMPTE 2110
• USB audio interface with 32 inputs and outputs at 32-bit and 96 kHz
• 24 mic/line inputs (up to +32 dBu), 16 XLR line outputs with flexible routing
• Four multi-effects processors
• Tascam Sonicview for Windows, macOS and iPadOS allows remote control and offline editing
• Two Tascam expansion slots

Intuitive fingertip operation

The Tascam Sonicview 24 offers motorized channel faders in three figure-eight sections, as well as a motorized fader for the stereo bus. Above each channel fader section is a color touchscreen that lets you view entire mixer channels or manipulate each parameter with your fingertip. Save fader settings and recall them later to pick up where you left off.

Check levels in a mix or submix at a glance and adjust them during mixdown using either the physical faders or the touchscreen. Your changes are updated instantly in either case.

Input channels

For recording and mixing, Sonicview 24 offers a range of versatile inputs. 16 mic/line inputs via XLR connectors and 8 channels of both XLR mic inputs and line inputs via standard balanced TRS jacks provide maximum flexibility.

There are also jack loop-in paths in two channels, two stereo aux inputs (RCA), and an XLR input for a talkback microphone.

Channel control and processing

Internally, these recording mixers have a full 40 mono channels and two stereo channels, so you can bring in backing tracks, for example, and make a small vocal group sound big. Expansion slots let you provide additional physical audio inputs for larger ensembles, manage sources from all areas of a venue via the Dante network, and mix dozens of DAW tracks. With eight DCAs, you can easily control groups of channels.

Programmable layer buttons let you choose which individual combination of channels, DCAs, and output busses are controlled by the motorized faders. Start with a mix, save your fader settings, and continue mixing later - thanks to the motorized faders, you pick up right where you left off.

Each input channel can use one or all of the 11 processing functions, which can be set independently:

USB Audio Interface and Stereo Recorder Included

The built-in 32-in, 32-out audio interface makes Sonicview a top-notch front end for recording and broadcast studios, as well as live event recording. Record the direct channel outputs, flex buses, and stereo bus to your favorite DAW at up to 96 kHz with the same 32-bit precision used throughout the console.

You can simultaneously record the main mix directly to the built-in SD stereo recorder - handy if the band wants to listen to their performance afterwards at the hotel or on the bus. You can also record to a USB stick via a port on the top panel at stereo.

Built-in 32-track audio recorder option

For recording, Tascam Sonicview offers several options. In addition to the built-in interface and stereo recorder, you can upgrade to a multitrack recording card (IF-MTR32) that allows you to record 32 audio tracks directly to an SDXC memory card. The SD recorder supports punch-in and punch-out for all 32 tracks simultaneously, as well as pre-record, auto-record, and marker.

Best of all, during recording , the file is automatically saved and closed every 60 seconds to prevent data loss. So you can let the recorder do its job worry-free while you concentrate on mixing.