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Taylor Sunset Blvd 214ce DLX

Item: GIT0063904-000

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Electro acoustic guitar from the 200 Series in Grand Auditorium design with cutaway & case. All product info

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Taylor Sunset Blvd 214ce DLX

Electro acoustic guitar with cutaway, solid top and case

Solid Sitka spruce top
Laminated body made from Indian rosewood
C-Class bracing
With cutaway
Mahogany neck with ebony fingerboard
42.9 mm nut width and 647.7 mm scale length
50th Anniversary Diamond inlays
Tortoise pickguard
Taylor Expression System 2
Shaded Edge Burst Finish in matt finish
Faux pearl single-ring rosette
White bindings
Guitar case included

The Sunset Blvd 214ce DLX comes in a sturdy premium case.

The Taylor Sunset Blvd 214ce DLX at a glance

With the Sunset Blvd 214ce DLX, Taylor brings fresh impetus to its renowned 200 series and expands the model range with an elegant acoustic guitarAcoustic guitar:
The acoustic guitar is an acoustic guitar with steel strings. It is often used for folk in Grand Auditorium format. The solid Sitka spruce top in combination with the laminated bodyBody:
The body is the body of a guitar. It is made of wood and influences the sound and resonance of the instrument. The sound of a guitar can vary depending on the shape and material of the body. made of Indian rosewood ensures a powerful, dynamic sound that comes into its own when accompanying vocals as well as in virtuoso solo playing. For use on stage, the model is equipped with the in-house Expression System 2, which transmits the natural acoustic sound in a detailed and balanced way. The overall package is rounded off with a high-quality guitar caseGuitar case:
Casewhich offers stylish protection and convenient transportation.

Taylor Sunset Blvd 214ce DLX acoustic guitar front

The Taylor Sunset Blvd 214ce DLX is the latest model in the 200 series with great features.

Selected tonewoods with in-house bracing system

The Taylor Sunset Blvd 214ce DLX impresses with a powerful, balanced sound, which is supported by its solid Sitka spruce topTop:
The top is the upper part of the guitar body. The laminated Indian rosewoodbackFloor:
The term "back" refers to the lower part of a guitar, which serves as a resonating body. It is usually made of wood and influences the sound and volume of the instrument. and sidesFrame:
The frame is the side part of the guitar body that surrounds the cavity. It is usually made of wood and contributes to the stability and resonance of the guitar. lend the sound additional warmth and depth, while the innovative C-Class bracingBracing:
Bracing ensures increased resonance and impressive projection. The result is a lively, detailed sound that impressively accentuates both gentle fingerpickingFingerpicking:
plucking technique and dynamic strummingStrumming:
Strumming is a guitar playing technique in which you strike the strings with your fingers or a pick at regular intervals to create a rhythm. Different strumming techniques and patterns create the typical sound of the rhythm guitar..

Pleasantly playable mahogany neck

Mahogany is one of the most popular woods in guitar making and impresses with its moderate weight, which supports a relaxed grip and a relaxed playing posture. The slim neckGuitar neck:
Maple neck with a nut widthNut width:
Nut width refers to the distance between the outermost strings at the top of a guitar's fretboard. A wider nut allows the strings to be placed further apart of 42.9 mm sits comfortably in the hand and offers ideal conditions for powerful strumming and precise flatpicking. The fine ebony fingerboardFretboard:
The fretboard is the part of the guitar on which the strings are fretted to produce different tones. It is made of wood and has metal frets that mark the different pitches. with its smooth surface ensures a smooth playing feel across all 20 fretsFret:
Jumbo frets, while the generous cutawayCutaway:
A cutaway is a recess in the body of a guitar that allows the guitarist to reach the higher frets more easily. This makes it easier to pick and play the strings in the upper registers. allows effortless access to the higher positions.

Taylor Expression System 2

The Expression System 2 is a proprietary development from Taylor and sets new standards in the field of pickupsPickup:
A pickup is an electronic component that converts the vibrations of the guitar strings into electrical signals. These signals are then amplified and played back via loudspeakers to make the sound of the guitar audible. for acoustic guitars. Three precisely positioned piezo sensorsPiezo pickup:
A piezo pickup is an electronic component that converts vibrations from guitar strings into electrical signals. It is often used in acoustic guitars to amplify the sound. The pickup consists of a piezo crystal that is made to vibrate by the vibrations of the strings. detect the vibrations of the string pairs directly at the bridge inlaySaddle:
The saddle is a small piece of material that is placed in the bridge of a guitar. It helps to keep the strings at the right height above the fretboard and ensures a clear sound and good playability of the guitar. and reproduce the natural sound with great detail and authenticity. The volume, bass and treble can be individually adjusted via three volumeVolume:
The volume control is a knob on the guitar that can be used to adjust the volume of the instrument. If you turn the knob to the right and tone controlsTone control:
The tone control is a knob on the guitar that influences the sound. When you turn it integrated inconspicuously into the frame, so that the sound can be perfectly adapted to any playing situation.

Matt Shaded Edge Burst finish

A real eye-catcher of the Taylor Sunset Blvd 214ce DLX is its elegant matt Shaded Edge Burst finishFinish:
The term "finish" refers to the outer coating or surface treatment of a guitar. It can be different types of varnish, stain or oil that are applied to the wood to protect it and give it an attractive appearance.. The flowing color gradient gives the top a warm appearance and creates an impressive visual depth that immediately catches the eye. This high-quality Finish is one of the most popular designs in the premium acoustic sector and underlines the exclusive character of the guitar. The stylish appearance is completed by the filigree 50th Anniversary Diamond inlaysInlays:
inlays, which give the instrument a particularly elegant touch.

Taylor - The epitome of the finest quality

As one of the largest guitar manufacturers, Taylor is a true authority in the production of first-class instruments. Professional production by trained specialists results in the finest products for life, whose value is always maintained - or even increases! This is due in equal part to the exquisite tonewoods, which do not warp due to long storage and selected quality and are therefore hard to beat in terms of high quality. Only spruce, mahogany, cedar or Koa of proven quality are used for the tops. Careful production in combination with the best materials does not only apply to guitars. Guitar bags and all accessories are also of first-class quality. Finally, a conscientious final inspection does not allow even the smallest defects to slip through and ensures absolutely flawless guitars before dispatch.

As if that were not enough, Taylor also attaches great importance to acting in an environmentally conscious manner.

Ebony & Koa: Sustainability at Taylor Guitars

Uncontrolled deforestation and overexploitation lead to massively endangered wood species that can no longer regenerate due to the high rate of extraction. These include ebony and koa in particular, whose dwindling stocks and the resulting ecological problems have prompted a rethink at Taylor Guitars.

Sustainable ebony cultivation in Cameroon

As ebony is particularly finger-friendly due to its hard, supple texture, it has long been the preferred choice for the production of fingerboards. Its attractive appearance is also extremely popular for bridges, headstock overlays, bridge Pins and Bindings. However, the high demand and the flourishing black market outstripped the stocks, so that ebony ended up on the Red List of endangered species in 1994. In addition, only the deep black heartwood, which makes up only a fraction of the tree, was used, resulting in a disproportionately large amount of waste in production. To protect the forests, Taylor has been working with the Crelicam Wood Mill in Yaoundé, Cameroon, since 2011 to promote controlled consumption by processing waste products. Thus, Taylor guitars not only contain black ebony elements, but also the different colored, more clearly grained parts of the tree. This complete recycling is an effective method of preserving the stocks and successfully counteracts their dramatic decline and the associated negative ecological effects.

"We need to use the ebony that the forest gives us" - Bob Taylor

In the video: Taylor Guitars - "The State of ebony"

Siglo Tonewoods Project

The koa acacia population has also suffered heavy losses over the last 20 years. Unsustainable forestry and overexploitation have led to a decline that can only be halted through proactive action and reforestation. This is why Taylor Guitars, together with Pacific Rim Tonewoods, founded the Siglo Tonewoods project, which aims to rebuild the Hawaiian primeval forest. This is a large cultivation area for koa acacia and other species, which enables the use of koa wood on a controlled scale.