
With the IRIDIUMWaldorf presents the successful desktop version of the exceptional synthesizer QUANTUM which can be considered a milestone in the history of synthesizers. Besides the missing keyboard and the resulting smaller housing (in Waldorf KYRA format), the 16 backlit pads are immediately noticeable. These are used for programming the internal sequencer, among other things. The Iridium shines with a stately 16 vo ices (Quantum: 8 voices) and has eight control voltage inputs and outputs on the back. The analogue

At the heart of the Iridium are its three digital oscillators, each with five selectable synthesis modes:
The oscillators on their own do some incredible things and offer an enormous range of different sounds. Since there are even more parameters under the hood that can also be modulated at various times, new sound creations are likely to be an ongoing process in the best sense. The filter of the Iridium is an excellent, dual

With six loopable envelopes and LFOs as well as the Complex Modulator, which is a mixture of two LFOs with self-drawn(!) waveforms and envelope, you have enough options at hand besides the usual modulation sources like e.g.



The high-resolution multi-touch display allows convenient access to every parameter and visually implements every move on the control panel. With captivating precision, it displays real-time changes in the sound at various stages of the synthesis process. It is the same size as the Quantum's, plus it is surrounded by the same set of knobs and buttons.

The 16 backlit pads make working with the integrated sequencer immensely easier and also serve to play individual notes; even



