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30 Day Return Policy
Lighting a show or event the right way is an art — and today’s options are wide, creative, and colorful. The emotional impact on the audience is undeniable when stage lighting creates the right atmosphere in theaters, concert venues, or clubs. Alongside classic fixtures, there are now modern high-tech effects that can work together to deliver a truly impressive look.
PAR fixtures are one of the originals in stage lighting. Thanks to their familiar shape, they’ve long been called “PAR cans”. Look up in a theater or TV studio and you’ll still see them. PAR cans vary in length depending on the model, and there are versions for indoor and outdoor use. Older units could be heavy and clunky, but many housings are now aluminum, making them popular on big stages and in mobile rigs. PAR cans are mounted and aimed on truss via the yoke. Unlike moving heads, the beam of a PAR can can’t be adjusted remotely.
In mobile setups for DJs and small bands, PAR cans are often mounted in groups of four or six on a T-bar and commonly paired with modern lighting effects.
The lamp size must match the PAR housing designation. On stage, PAR 36, PAR 56, and PAR 64 are the most common formats. PAR 36 runs on low voltage, PAR 56 typically uses sealed-beam lamps for smaller spots, and PAR 64 can use sealed-beam lamps or reflectors for wider coverage — choose what fits your application. Besides lamps, many classic rigs also require a color filter in the form of color gel, placed in the filter frame.
LEDs have become a stage standard — and it’s easy to see why. Instead of using gels in front of white lamps, modern LED PAR cans deliver smooth, continuous color changes right from the fixture. With the right control, you can create countless looks and program them precisely for each song or the entire show.
Especially outdoors — where IP65-rated housings are essential — LED floodlights are perfect for washing buildings, facades, or trees with color. Indoors, floodlights can also create strong effects by lighting walls or larger objects with purpose.
Pinspots concentrate light into a very narrow beam for precise accents. That’s why they’re popular with mirror balls and reflective objects, scattering points of light around the room.
For LED lighting, DMX control is the standard. In professional rigs, it’s run from a lighting console — similar in concept to an audio mixer, but designed for visual effects.
Many fixtures include built-in auto programs alongside 3-pin DMX connections, creating varied looks without external control. Often there’s also an integrated microphone for sound-to-light changes.
When planning your lighting, it’s not just about the effects — it’s also about performer positions, so they don’t end up as colored silhouettes. That’s why it helps to light the front or sides of the stage with white light from a suitable angle. The rest is up to your creativity.
