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Behringer BM-18M Cluster Box

Item: SYN0009414-000

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Analog effect, flanger, chorus, warm sound with BBD circuit, LFO with 6 waveforms, 5 CV inputs, Moog MF-108M Cluster Flux Clone All product info

Product variations

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Behringer BM-18M Cluster Box

Analog chorus/flanger effect with CV control

Clone of the Moog MF-108M Cluster Flux
analog flanger/chorus effect
BBD-based circuit
Lively, warm sound
Clock-synchronizable LFO with 6 waveforms
Effect signal can be mixed continuously
Audio input with distortion
LEDs for level, MIDI & bypass on/off
CV inputs for Feedback, Time, LFO Rate, LFO Amout & Mix
Audio In (mono)
Audio Out (mono/stereo)
Feedback Insert
complete MIDI implementation
MIDI In
USB MIDI

An absolute CLUSTER box! Introducing BM-18M CLUSTER BOX

Well-modulated sounds for the analog cuddle session

With the BM-18M Cluster Box, Behringer presents a clone of the Moog MF-108M Cluster Flux from the popular MoogerFooger series. Behringer has succeeded in faithfully reproducing the special sound of the classic in all its details.
The BM-18M is an analog chorus and flanger effect with a particularly lively and warm sound. The circuit is based on Bucket Brigade Device (BBD) technology, a series circuit consisting of capacitors and transistors that delay an audio signal in small steps by passing charges from one capacitor to the next, similar to a bucket brigade. The large toggle switch is used to switch between two bucket brigades of different lengths, resulting in the two effects chorus and flanger. Both effects sound very good and have their own specific characteristics, which come to the fore even more at higher Feedback.
Things get really exciting when you add the clock-synchronizable LFO, which modulates the TIME parameter. Its six waveformsproduce effect variations that many guitar pedals have to match. Typical results are achieved with the sine and triangle waveforms. Square has a more switching character. Sawtooth and ramp provide rising or falling modulation curves. Stepped Random should appeal primarily to experimental musicians who consciously allow for random sound shifts.
The input stage is designed for line and guitar levels and can be overdriven, in most cases this sounds very musical and has a harmonic character.

Control voltages for even more fun

The connections are the same as on the original: there are five CV/expression inputs for the parameters Feedback, Time, LFO Rate, LFO Amout and Mix. This allows the parameters to be controlled via an expression pedal or any control voltages from the modular system. The audio input is mono, as is the audio output in the concept; if you also use R Out, the effect signal Stereo is output. At the Feedback insert, you can intervene in the feedback path with a Y-cable. A separate EQ or filter provides amazing results. The LFO can be synchronized to MIDI Clock via the MIDI input and all parameters can also becontrolled via control change commands. The USB-C port is primarily intended for configuring the pedal with the GuitarTribe app.