
With the Digitone II, Elektron presents the official successor to the popular 4-track FM synthesiser, the Digitone. This compact instrument, with the same dimensions as its predecessor, now offers 16 tracks that can be configured as either audio or MIDI tracks. These tracks are populated with ‘Machines’ and ultimately saved as a preset. The synthesis Machines – of which there are four different types – cover specialised forms of FM synthesis and even subtractive synthesis. Whether a preset is populated solely with FM drums, monophonic and polyphonic synth tracks, a mix of everything, or MIDI tracks is entirely up to the user. Anyone familiar with the original Digitone will recognise many familiar features; overall, Version II shines thanks to numerous innovations and an enormous sense of musicality, offering plenty of scope for experimentation. The famous Elektron sequencer, complete with parameter locks and a wealth of programmable dynamics, plays a significant part in this. The 16 voices of Version II can be used freely. This means you can allocate them as you wish; for example, you could combine six tracks with FM drums, two tracks with monophonic FM sounds and two tracks, each with four voices. The MIDI tracks occupy one track per external device, but do not utilise the 16 voices.

With the Digitone II, Elektron has significantly expanded its offering, providing four synthesis machines. Whilst its predecessor had to make do with just one machine, there are now Wavetone, Swarmer, FM Tone and FM Drum, which enormously expand the sound spectrum and allow even complex drum sounds to be created in just a few simple steps. The filter section now offers interchangeable filter machines. The options here are Multimode, Lowpass 4, Equaliser, Comb, Comb+ and Legacy LP/HP. This alone significantly enhances the sound palette! Each synth track also features track effects such as bandwidth filter, overdrive, bit reduction and sample rate reduction. There have also been significant developments in modulation: no fewer than three highly flexible and, above all, freely assignable LFOs per track ensure plenty of variety in the soundscape. All tracks are given the finishing touch with the superb-sounding insert effects : Saturator Delay, Supervoid Reverb and Panoramic Chorus. At the master level, there are the Overdrive and Stereo Compressor effects to get the very most out of the audio tracks. All effects are highly customisable and range from subtle to club-ready to cinematic. By this point at the latest, it becomes clear that the Digitone II is so much more than just a versatile groovebox focused on FM sounds. Thanks to the new Synthesis Machines and Filter Machines, there are so many possibilities that were previously unimaginable ‘in-the-box’. On top of that, this compact unit is the perfect sequencing hub for both small and large setups.
The Elektron Digitone II’s sequencer is perfectly suited for live use, quick to programme and, above all, easy to learn. Real-time operation and rock-solid timing are the magic words behind Elektron’s recipe for success. A total of 128 patterns can be stored. Each pattern can have a maximum length of up to 128 steps (8 bars); furthermore, each track can be assigned its own step length and scaling. Naturally, the Digitone II also supports parameter locks, allowing individual parameters to be locked to one or more steps without permanently altering the sound. Other features, such as a Euclidean pattern generator, arpeggiator, shuffle, micro-timing and programmable trigger probability, effectively round off the range of creative possibilities. Each of the 16 internal tracks can be configured as a MIDI track for external MIDI equipment, such as a desktop synth. The tracks are playable or programmable in four-voice polyphony, allow 16 CC parameters to be addressed, and two LFOs can be freely assigned. The keyboard mode, with 36 scales, is a great help when no MIDI keyboard is connected for note entry.

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Elektron Digitone III’m really impressed with Digitone 2. The sound design capabilities are deep and inspiring, perfect for crafting evolving textures & tones for my experimental ambient music. The sequencer is intuitive yet incredibly powerful, allowing for complex rhythmic and melodic patterns. Having 16 channels gives me plenty of flexibility to build rich, layered compositions. Overall, it’s a beautifully designed instrument that keeps me creative and engaged every time I use it.