With the Mod FM D, Jomox presents a hybrid, 8-vioce FM synthesizer in desktop format, designed to deliver bold, experimental sounds. Featuring a sophisticated 4-operator FM synthesis with 26 algorithms, the Mod FM D is further enhanced with dual analog filters, individual envelopes and LFOs per voice, along with high-quality delay and reverb effects, preset memory and advanced voice management. In single mode, the Mod FM D offers eight polyphonic voices, perfect for crafting epic 80s-style hooks and melodies. In Multi mode, each voice can have its own unique preset, providing the flexibility to create diverse sounds on the fly. While the output is monophonic in Multi mode, this "more tracks, fewer voices" approach works particularly well in techno and electronic music, where layering sounds and textures takes precedence over polyphony.
Offering the Mod FM as a stand-alone desktop device is a logical progression. The Mod FM D version comes in a case that is slightly larger than the module's front panel, providing ample space for expanded features. It includes its own power supply, MIDI inputs and outputs with DIN sockets, a balanced stereo output and an audio input. The audio input serves as an analog sidechain stereo input, allowing you to feed external signals into the Mod FM D's effects and mix them with the synthesizer's sound. An additional control lets you adjust the mixing ratio, giving you greater flexibility in shaping your sound.
The Mod FM D features a matrix of four operators (sine oscillators), where each operator can be frequency-modulated by the other three. The modulation values and fundamental frequencies are controlled via the 16 endless encoders of the matrix, providing precise manipulation of sound. With 26 algorithms based on the chaotic, inharmonic FM textures. For those looking to explore unconventional soundscapes, the system provides ample room to experiment and push boundaries of FM synthesis.
The Mod FM D is equipped with two LFOs that modulate both the frequency and amplitude of each voice, offering an impressive selection of 64 waveforms per LFO. For even greater flexibility, the LFOs can be switched to modulate the VCO and can even be integrated directly into the audio path. This feature enables the Mod FM D to generate classic synthesizer sounds, such as square and sawtooth waveforms, while retaining post-processing through the filterand VCA for added depth and character.
The Mod FM D features an analogue filter per voice, powered by the SSI2140 chip, which is based on the iconic SSM2040. Known for its rich sound an behavior in classic synthesizers like the Oberheim Polys and the SCI
The desktop version of the Mod FM D offers comprehensive connectivity, including CV and Gate inputs for each of the eight voices, as well as eight individual audio outputs. The Odd and Even mix outputs route the even and odd voices in groups of four, while the balanced stereo output on the rear panel provides access the synth's effects, adding flexibility to your setup. For modulation, the Mod FM D provides multiple CV inputs, including four shared inputs for behavior of these inputs depends on whether the module is in Single or Multimode. The synthesizer also features complete MIDI implementation, with all parameters controllable via MIDI (using a TRS-A adapter) or USB-C for seamless integration into your setup.