With the Protein, Waldorf presents its most compact wavetable synthesizer to date, a purely digital take on the classic Microwave 1. The original from 1989 was inspired by the PPG

Each of the Protein's 8 voices features two wavetable oscillators, which correspond to the original ASIC oscillators of the
Two ADSR envelopes are permanently assigned to the filter and VCA, while a third envelope is used to modulate the wavetables. The modulation options are rounded off by two BPM-synchronizable LFOs, as well as various controllers such as modulation wheel, random,
A nice detail is the flavour control, which shifts the accurate and precise circuits (oscillator drift, filter, envelope behavior...) towards the component-related inaccuracies of old synthesizers.
The two effect slots with the algorithms reverb, delay, chorus, phaser, flanger, drive, EQ, compressor and tremolo complete the signal path.
The voice architecture of the Protein is a special feature. The synthesizer offers 8 voices, which can be used in different ways. Firstly, there is the layer mode, which allows you to stack up to four sounds (presets!) on top of each other. This is perfect for multi-layered sounds that a single voice cannot create in this complexity. Thanks to the Load Layer function, you can swap sound layers at will. Like many other Waldorf synths, the Protein is also equipped with multimode, which allows sounds to be used on four parts with different MIDI channels within the eight-voice polyphony. The usual lavishly equipped arpeggiator and the polyphonic step sequencer, which offers a pattern length of up to 32 steps, act as a playing aid. Friends of the dub genres will get their money's worth with the Chord & Scale mode.
Waldorf Protein