Free shipping
for orders over £ 150
UK Team in London
Mega Store in Cologne
Money Back
30 Day Return Policy
You have placed the following items into your shopping cart
Free shipping
for orders over £ 150
UK Team in London
Mega Store in Cologne
Money Back
30 Day Return Policy
Lighting a show or event properly is an art in itself — and today’s options are broad, creative and full of colour. The emotional impact on the audience is undeniable when stage lighting sets the mood in theatres, live venues or clubs. Alongside classic fixtures, there are now modern high-tech effects that can combine into a truly impressive overall look.
PAR fixtures are one of the true classics of stage lighting. Thanks to their shape, they’ve long been nicknamed “PAR cans”. Look up in a theatre or TV studio and you’ll still spot them. PAR cans vary in length depending on the model, and there are versions for indoor and outdoor use. While older units could be heavy and awkward, many housings are now aluminium — making them popular on big stages and in mobile rigs. PAR cans are mounted and aimed on truss via the yoke. Unlike moving heads, the beam of a PAR can can’t be repositioned remotely.
In mobile set-ups for DJs and small bands, PAR cans are often mounted in groups of four or six on a T-bar and frequently combined with modern lighting effects.
The lamp size has to match the PAR housing designation. On stage, PAR 36, PAR 56 and PAR 64 formats are most common. PAR 36 units run on low voltage, while PAR 56 typically uses sealed-beam lamps for smaller spots. PAR 64 can use sealed-beam lamps or reflectors for wider coverage — choose the right option for your application. Besides lamps, many classic rigs also require a colour filter in the form of colour gel, inserted into the filter frame.
LEDs have become the go-to choice on stage — and for good reason. Instead of using gels in front of white lamps, modern LED PAR cans offer smooth, continuous colour changes directly from the fixture. With the right control, you can create countless looks and programme them precisely for each song or the entire show.
Especially outdoors — where IP65-rated housings are essential — LED floodlights are perfect for washing buildings, façades or trees with colour. Indoors, floodlights also create bold effects by lighting walls or larger objects with purpose.
Pinspots concentrate the light into a very narrow beam for precise accents. That’s why they’re popular with mirror balls and reflective objects, scattering points of light around the room.
For LED lighting, DMX control is the standard. In professional rigs, it’s operated via a lighting desk — similar in concept to an audio mixer, but designed for visual effects.
Many fixtures offer built-in auto programmes alongside 3-pin DMX connections, delivering varied looks without external control. Often there’s also an integrated microphone for sound-to-light changes.
When planning, it’s not just about the effects — it’s also about performer positions, so they don’t end up as coloured silhouettes. That’s why it helps to light the front or sides of the stage with white light from a suitable angle. The rest is down to your creativity.
